The remaining percentages obviously include Axl's shares and, probably, Matt's and Dizzy's small shares (the data for Matt and Dizzy are not clear ASCAP lists them as writers on some UYI songs and SESAC lists them on all songs). Only this time the way the shares were calculated was more complicated compared to the shares for AFD and Lies songs, so the percentages are not round figures (according to Slash's book, that happened because they had to calculate a small share for Matt - and I guess Dizzy, too - as well as because of the many outside writers like West Arkeen, Del James, etc.).įor example, although only Axl is credited for writing November Rain in the album liner notes, GMR (Slash and Duff) controls 47.68% and ASCAP (Izzy) 24.26% - and these shares apply for every original UYI song that doesn't have additional writers (the decimals in the ASCAP shares differ slightly from song to song - it may have to do with the publishers). However, that doesn't affect the way the publishing for each song is split: according to the PRO's, the four "main" members (Axl, Slash, Izzy and Duff) get a fixed percentage for each original song written entirely by the band. Axl and Izzy on You Could Be Mine, Slash and Axl on Locomotive, etc.). Unlike Appetite and Lies, the UYI liner notes list specific writers for each song (e.g. So the 22,5% that's left is, apparently, Axl's share. Anything Goes, Reckless Life and Move To The City: ASCAP controls 41.5% (Izzy's, Steven's and Chris Weber's shares) and GMR controls 36% (Slash and Duff's shares). It's So Easy: ASCAP controls 54% (which includes Izzy's, Steven's and West Arkeen's shares) GMR controls 28% (Slash and Duff's combined share) so the remaining 18% is Axl's. The information on ASCAP and GMR confirms what we know from other sources about how the publishing was split between the members: Axl 25%, Slash, Izzy and Duff 20% each, and Steven 15%.ġ) For all original songs with no outside writers: ASCAP (Izzy, Steven) controls 35% GMR (Slash, Duff) controls 40% so the remaining 25% is Axl's share.Ģ) In the case songs with additional songwriters, as expected, the band members' shares are decreased: In the albums' liner notes all original songs are credited collectively to "Guns N' Roses" and, wherever the case, to additional songwriters (West Arkeen on It's So Easy, Chris Weber on Anything Goes, Reckless Life and Move To The City). SESAC doesn't provide this information, which would be Axl's share - however, in most cases it can be calculated based on the information from the other PRO's. ASCAP, BMI and GMR report the percentage they control over other PRO's for example, on a song listed as co-written by Axl, Slash, Izzy, Duff and Steven, ASCAP reports the percentage it controls, which corresponds to the combined shares of Izzy and Steven, and the same goes for GMR in regards to Slash and Duff's combined shares. royalties from songwriting) between the members and may not be identical to to the writing credits in an album's liner notes - for example, a band member may not be credited as one of the writers of a particular song, but may be entitled to royalties for it.Īxl is on SESAC, Slash and Duff are on GMR, and the rest of the members (old and "nu"), as well as the outside writers (West Arkeen, Del James, etc.) are on ASCAP or BMI. These data are the result of the way a band has decided to split the publishing rights/royalties (i.e. I had a thorough look at the online repertories of ASCAP/BMI, GMR (Global Music Rights) and SESAC, which are PRO's (Performing Rights Organizations) that collect royalties on behalf of songwriters and their publishers, so they list all the musicians who receive songwriting royalties for each song.
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